Russische opernsängerin netrebko

Netrebko’s insatiable curiosity about operatic repertoire promises further role debuts in upcoming seasons.

Recent role debuts include Verdi’s Giovanna d’Arco in the opening performance of the 2015/16 season at the Teatro alla Scala in Milan – the work’s first performance there since the mid−1860s; Elsa (Lohengrin) at the Dresden Semperoper in 2016 (released the following year as the first opera recording in Ultra HD 4K by Deutsche Grammophon); Aida at the Salzburg Festival (2017), Maddalena (Andrea Chénier) at the Teatro alla Scala in Milan (2017), Tosca at the Met (2018), Leonora (La forza del destino) at Covent Garden (2019), Turandot in Munich (2020), Elisabetta (Don Carlo) at the Bolshoi Theatre (2020) and Abigaille (Nabucco) at the Staatstheater Wiesbaden (2023).

Her interpretations span from Mozart operas, bel canto masterpieces (including Bellini’s La sonnambula andDonizetti’s Anna Bolena), French chefs d’oeuvres (Massenet’s Manon and Gounod’s Roméo et Juliette), Puccini (from La bohème to Turandot), Verdi (from La traviata to Aida to Macbeth), verismo (Giordano’s Andrea Chénier and Cilea’s Adriana Lecouvreur), Tchaikovksy (from Iolanta to Eugene Onegin), Wagner’s Lohengrin to much more.

In Vienna, where Netrebko has lived for a long time (she became an Austrian citizen in 2006), she appears at the State Opera every season. La Gioconda will follow in 2024, at the Salzburg Easter Festival, as well as several other roles in future seasons.

In addition to regularly headlining productions with the world’s leading opera companies, Netrebko has appeared extensively in concerts and recitals across five continents.

Other milestones in her recording activities are the CD Duets with Rolando Villazón; Richard Strauss’s Four Last Songs with Daniel Barenboim and the Staatskapelle Berlin (2014); Tchaikovsky’s Iolanta, Macbeth from the Metropolitan Opera, Don Giovanni from the Teatro alla Scala (2015), Manon Lescaut in a recording from the Salzburg Festival (2016), and the album Romanza with her husband, tenor Yusif Eyvazov (2017).

In recent years she has turned to more vocally demanding operatic roles such as Turandot, Tosca and Elsa (Lohengrin).

Her interpretations span from Mozart operas, bel canto masterpieces (including Bellini’s La sonnambula and Donizetti’s Anna Bolena), French chefs d’oeuvres (Massenet’s Manon and Gounod’s Roméo et Juliette), Puccini (from La bohème to Turandot), Verdi (from La traviata to Aida to Macbeth), verismo (Giordano’s Andrea Chénier and Cilea’s Adriana Lecouvreur), Tchaikovsky (from Iolanta to Eugene Onegin), Wagner’s Lohengrin to much more.

bei Larissa Gergijewa, der Schwester des berühmten Kirow-Dirigenten Walerij Gergijew, der ihr Mentor wurde. Netrebko’s insatiable curiosity about operatic repertoire promises further role debuts in upcoming seasons, including most recently Verdi’s Nabucco and Ponchielli’s La Gioconda, to be followed in 2025 by Strauss’ Ariadne auf Naxos and Tchaikovsky’s Pique Dame.

In addition to regularly headlining productions with the world’s leading opera companies, Netrebko has appeared extensively in concerts and recitals across five continents.

She signed with Deutsche Grammophon in 2003. 1971 als Tochter des Geologen Yuri Netrebko (†) und der Telefoningenieurin Larissa Netrebko (†) in Krasnodar im Süden von Russland geboren.

Ausbildung

Als Kind erhielt N. Ballettunterricht und hatte einen ersten Bühnenauftritt im Alter von sieben Jahren. Her performances in celebration of the World Cup openings in 2006 at Berlin’s Waldbühne amphitheater and in 2018 in Moscow’s Red Square were both internationally televised events.

Her performance as Donna Anna in Don Giovanni at the 2002 Salzburg Festival secured Netrebko a place among the top young singers.

Since 2002, Netrebko has performed regularly at the Metropolitan Opera – she has played no fewer than 22 roles at that house and appeared in 15 of its worldwide broadcasts “Live in HD” to cinemas.

“A soprano with star power in the best sense, a charismatic expressivity that pervades every element of her performance.” – Anthony Tommasini, New York Times

Throughout an illustrious career beginning in 1994, Anna Netrebko has arguably become a reigning prima donna of the 21^st century.

She is a global ambassador for Chopard jewelry.

 

Born in 1971 in Krasnodar, Russia, Netrebko studied vocal performance at the St. Petersburg Conservatory and completed the Merola Opera Program in San Francisco. Amata dalle tenebre, Netrebko’s first classical solo album in five years, was released in November 2021; it was recorded at the Teatro alla Scala in Milan with the Orchestra del Teatro alla Scala and its music director Riccardo Chailly.

Born in 1971 in the southern Russian city of Krasnodar, Anna Netrebko devoted herself to singing from an early age.

September 1971 Krasnodar

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Herkunft

Anna Jurjewna Netrebko wurde am 18. The programme of her first album, Anna Netrebko – Opera Arias (2003), ranged from “Padre, germani, addio!” from Mozart’s Idomeneo to the “Lied an den Mond” from Dvořák’s Rusalka. She later studied at the St.

Petersburg Conservatory, where she was discovered and was able to take on minor roles at the Mariinsky Theatre.

Her performances in celebration of the World Cup openings at Berlin’s Waldbühne amphitheatre in 2006 and in Moscow’s Red Square in 2018 were both internationally televised events. A devoted mother, she is an ardent defender of the causes of underprivileged children through the various associations that she has supported for many years.

Her interpretations span Mozart operas, bel canto masterpieces (including Bellini’s La sonnambula and Donizetti’s Anna Bolena), French chefs-d’oeuvre (Massenet’s Manon and Gounod’s Roméo et Juliette), Puccini (from La bohème to Turandot), Verdi (from La traviata to Aida to Macbeth), verismo (Giordano’s Andrea Chénier and Cilea’s AdrianaLecouvreur), Tchaikovksy (from Iolanta to Eugene Onegin), Wagner’s Lohengrin, and much more.